PAUL GAUGIN
born the 7 June 1848 To Paris and dead the 8 may 1903 To Atuona ( Hiva Oa ) to Marquesas Islands , is a painter post-impressionist French .
Leader of the Pont-Aven School and inspirer of nabis , he is considered one of the major French painters of twentieth century , and one of the most important precursors of modern art with Klimt , Cezanne , Munch , Seurat and van Gogh .
Eugène Henri Paul Gauguin was born at 56, rue Notre-Dame de Lorette in Paris, in 1848. His father, Clovis Louis Pierre Guillaume Gauguin (1814-1851), was a republican journalist in National . Her mother, Aline Chazal (1825-1867), is the daughter of Flora Tristan and the little girl of Therese Laisnay and Mariano de Tristán y Moscoso, a military member of a family of noble landowners spanish of Peru .
The painter spent his early childhood in Lima , where his father, who died in 1851 during the voyage from France, off the coast of Punta arenas and buried in Puerto del Hambre , came to flee the political regime of Napoleon III , author of a coup d'état which consolidated his power. Back in France at the age of 7, Paul studied in Orléans, first in a boarding school in the city then, between 1859 and 1862, in small seminar of La Chapelle-Saint-Mesmin . After failing the entrance exam to the Naval School (prepared in Paris between 1862 and 1864), he returned to Orléans , and enrolled during the school year 1864-1865 at the imperial high school on rue Jeanne-d'Arc. Gauguin then embarked on the Luzitano clipper as a novice / pilot in December 1865, registered in Le Havre under the number 790-3157. He is also learning to play the accordion. He obtained the rank of lieutenant and in 1866 embarked on the three-master Chili, of which he was second lieutenant. He subsequently performed, in 1868, his military service in the navy , embarked on the Jérôme-Napoléon corvette. He participates in the g uerre 1870 and takes part in the capture of six German ships. After his return to Toulon on April 23, 1871, he left the navy.
He becomes stockbroker on the Paris Bourse and has had some success in its business. He then shares a comfortable bourgeois life with his wife Danish , Mette-Sophie Gad (1850-1920), and their five children: Emile (es) (1874-1955), Aline, Clovis, Jean-René (1881-1961), who would become a sculptor, and Paul-Rollon (or Pola ) (1883-1961). He moved with his family in 1877, in the 15th arrondissement of Paris, first rue des Fourneaux (now rue Falguière ), then Carcel street .
His tutor, Gustave Arosa , businessman and great art lover, introduced Gauguin to the Impressionists. In 1874 , he meets the painter Camille Pissarro and sees the first exhibition of the Impressionist movement. Like his tutor, he became an art lover and then tried his hand at painting. He therefore exhibited with the Impressionists in 1879, 1880, 1881, 1882 and 1886
In 1882, he gave up his job as a stock broker (which was in a phase of bad economic times, with the bankruptcy of the General Union ) to devote himself to his new passion, la painting . From January to November 1884, he settled at Rouen , where Camille Pissarro , who had guided him in his approach to Impressionism , also lives. During these ten months spent in Rouen, he produced nearly forty paintings, mainly views of the city and its surroundings. This is not enough to live and he leaves to live with his wife and children in her family in Copenhagen . He gives up painting to become a representative in tarred canvas; but he is not good at this job, his business is bad and his in-laws reproach him for his bohemian lifestyle. He therefore returned to Paris in 1885 to paint full time, leaving his wife and children in Denmark, not having the means to ensure their subsistence; he is torn by this situation. From 1879 to 1886, he participated in the last five exhibitions of the group of impressionists. In 1885, Paul Gauguin began to work on ceramic and partners with Ernest Chaplet to produce 50 ceramic works. That same year, he frequents the coffee shop Au Tambourin , run by Agostina Segatori , an Italian model, at 62 boulevard de Clichy
In 1886, on the advice of Armand Félix Marie Jobbé-Duval , Gauguin made a first stay in Aven bridge in Brittany, where he meets Émile Bernard , holder of cloisonnism . Back in Paris, he meets for the first time Vincent van Gogh , in November of the same year.
In April 1887, he embarked with the painter Charles Laval for the Panama where they will work on the piercing of the channel . They encounter particularly difficult living conditions there and decide to leave as soon as they have collected enough money for the Martinique , which Gauguin had discovered during a stopover.
After a stay on the island of Taboga , he joined Martinique where he remained in precarious conditions, from June to October 1887, at Anse Turin in Carbet two kilometers from Saint-Pierre , where there is, still today, an Interpretation Center dedicated to him. Enthused by the light and the landscapes, he painted seventeen canvases during his stay.
“My experience in Martinique is decisive. Only then did I really feel myself, and it is in what I have reported that I must be sought if people want to know who I am, even more than in my works in Brittany. "(Paul Gauguin at Charles Morice , 1891)
Sick of dysentery and malaria , and without resources to live, Gauguin returned to the metropolis in November 1887. Laval extended his stay until 1888
Back in France, he lived in Paris then he joined, at the beginning of 1888, in Bretagne , a group of experimental painters, younger because he was then in his forties, known as the Pont-Aven school . In an 1888 letter written to Émile Schuffenecker , Paul Gauguin expresses his credo to him which will be the soul of future artistic challenges:
“A word of advice, don't copy too much from nature, art is an abstraction, draw it from nature by dreaming in front of it, and think more about the creation than the result. It is the only way to ascend to God by doing like our divine Master, create. "
The Breton innkeeper Marie-Angélique Satre (1868-1932) alias "La Belle Angèle" was immortalized in 1889 by Paul Gauguin, whose work La Belle Angele (title written in capital letters on the canvas) is currently kept at Orsay museum .
Under the influence of the painter Émile Bernard , innovative and very religious, his style evolves: it becomes more natural and more synthetic. He seeks his inspiration in exotic art, medieval stained glass windows and Japanese prints, to paint modern works that are spiritually charged with meaning. That year, he painted The Vision after the Sermon also called Jacob's Struggle with the Angel, which would influence Pablo Picasso , Henri Matisse and Edvard Munch .
This work is for Gauguin the means of representing "a collective hallucination". By simplicity, he unites the style and the theme of prayer, important for painters since the Renaissance. Gauguin, however, deals with the subject in another way, by not representing women in very significant positions, because there is only one woman who is seen praying. The entire upper right-hand side is left for Jacob's Struggle with the Angel, a vision quite "superstitious" for Gauguin, which determines the attitude of women and the representation of their religious credulity, significant of the inhabitants of Pont-Aven, representatives of 'rustic provincial archaism.
For his painting representing a yellow Christ, he would have been inspired by the sculpture of the chapel of Tremalo, near Pont-Aven.
Gauguin joins Vincent Van Gogh who invited him to come to Arles , in the south of France, in 1888, thanks to his brother, Theodorus . He discovers Japanese prints through Vincent van Gogh , while they spent two months together (from October to December) painting. They then paint the series on Alyscamps , portraits, landscapes and still lifes. The two colleagues are very sensitive and experience moments of depression
Brought together by a common interest in color, the two painters come into a personal and artistic conflict, which culminates when Gauguin paints Van Gogh painting sunflowers, a portrait of which Van Gogh will say: “It is indeed me, but gone mad. "Their cohabitation turns badly and ends on the famous episode of the cut off ear of Van Gogh, December 23, 1888
In 1891, ruined, he lived for a time in Paris, at the Hôtel Delambre, at no.35 of the street of the same name in the 14th arrondissement . Inspired by the work of Jacques-Antoine Moerenhout and thanks to a sale of his works, the success of which was assured by two enthusiastic articles by Octave Mirbeau , he embarked for the Polynesia and moved to Tahiti (it is there that he paints the portrait of Suzanne Bambridge ) He now spends his entire life in these tropical regions, first in Tahiti then in Hiva Oa Island in the Marquesas archipelago . He returned to mainland France only once.
The essential characteristics of his painting (including the use of large areas of bright colors) did not undergo much change. He pays particular attention to the expressiveness of colors, the search for perspective and the use of full and voluminous shapes. Influenced by the tropical environment and Polynesian culture, his work is gaining strength, he produces woodcarvings and paints his most beautiful paintings, in particular his major work, today in Boston Museum of Fine Arts : Where do we come from ? Who are we? Where are we going ? , which he himself considers as his pictorial testament.
In Tahiti, he meets Teha'amana (also called Tehura), a young girl from Rarotonga in the Cook Islands , west of French Polynesia (Gauguin believes it to originate from the Tong Islands a ). This one, aged thirteen, becomes his model. At the age of 43, he began a relationship with her. He was very inspired and painted seventy canvases in a few months. After a few happy years, administrative worries, the death of his daughter Aline in 1897 and health problems (following an assault, he had a leg injury that has not healed since 1894) undermined him. He is forced to sell his paintings to buy morphine and arsenic which soothe his leg wounds. He also contracts a syphilis shortly before his departure
He was repatriated to France, to Paris, in 1893, and was not too well received. He gets in touch with Annah the Javanese, thanks to Ambroise Vollard , in Paris, then in Pont-Aven . He has a broken shin during an altercation at Concarneau the 25 may 1894 , responsible for his lameness, his cane, his pains, laudanum . He leaves alone on 3 July 1895 for Tahiti. He moved in with Pau'ura (fourteen years old), painted again, got drunk, grew bitter, wrote and caricature in small ephemeral newspapers Le Sourire (serious newspaper), Le Sourire (bad newspaper). He was hired by the mayor of Papeete, François Cardella, for the monthly Les Guêpes, until the departure of Governor Gustave Gallet, fought by the Catholic Party.
He then decides to finally leave for the Marquesas Islands , where he landed on September 16, 1901, in order to find inspiration. Arrive at Atuona (on the island of Hiva Oa ), he meets the nurse of the dispensary, the deported Annamite Ky Dong (vi) (1875-1929), the American Ben Varney and the Breton Émile Frébault. Bishop Martin, head of the Catholic Mission, ended up selling him marshland. He built a house on stilts there, which he named as a provocation House of Enjoyment . It seems to him to be in paradise. He will quickly become disillusioned when he realizes the abuses of the colonial administration. In particular, he refuses to pay his taxes and encourages the Marquesans to do the same. He tries unsuccessfully to own a plantation and become a justice of the peace.
As soon as he arrived in the Marquesas, he removed from the Catholic school, with the agreement of the head of a small village, Marie-Rose Vaeoho (1887-1914), 13 years old, 39 years younger than him, who became her vahine . Pregnant, she was sent to her village to give birth to their daughter Tikaomata and the painter, wanting to make fun of the bishop, replaced her with Henriette, a student of the Sisters' school and wife of the serving mass .
He continued trial after trial and, on March 31, 1903, he was sentenced to a fine of five hundred francs and three months in prison for defamation of a police sergeant. Ambroise Vollard , with whom he is under contract, pays him monthly installments of 300 francs, and provides him free canvas and colors, against a minimum of twenty-five paintings per year, mainly still lifes for which the dealer has set the unit price at 200 francs.
Weakened, his leg injury turned into a very painful purulent eczema, tired of struggling and gnawed at by syphilis , he died on May 8, 1903 as a cursed artist in a miserable hut. He is buried in the cemetery of Atuona. He left a bad reputation on the spot after his death, with Polynesians in general and Marquesans in particular, who have the impression of having dealt with a man who used Polynesians, especially women, as if that was owed to him, but also to certain colonists (the bishop, the administration, the gendarmes with whom he had incessant quarrels).